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GUQIN

GUQIN

The Guqin, often simply called qin, is one of the oldest and most revered Chinese musical instruments, with a history that spans over 3,000 years. Esteemed as a symbol of Chinese high culture, the guqin is a seven-stringed zither that plays a pivotal role in Chinese classical music and has been associated with scholars, literati, and philosophers. Unlike other Chinese musical instruments, the guqin is renowned for its subtle, tranquil sound, making it a perfect medium for meditation and expression of inner emotions.

Crafted traditionally from a special type of wood, the body of the guqin represents a blend of philosophical concepts, aesthetic principles, and historical lore. The instrument's construction embodies elements of Confucianism, Taoism, and Chinese cosmology, with its structure symbolizing the harmony between heaven, earth, and humanity. The strings, historically made of silk but now often of metal or nylon, are tuned in a pentatonic scale, allowing for a wide range of expressive capabilities despite its seemingly simple setup.

Playing the guqin involves a sophisticated technique that includes plucking, strumming, and sliding on the strings with both hands, producing sounds that are capable of conveying the subtlest nuances of human emotions and the natural world. The repertoire of guqin music, known as "qinpu," consists of pieces that are often programmatic, evoking landscapes, historical events, or philosophical concepts, and requiring not only technical skill but also a deep understanding of Chinese culture and art.

The guqin has held a unique place in Chinese culture, often associated with the ideals of a gentleman or scholar-official. It was considered one of the four essential arts of a cultured scholar-official in ancient China, along with chess, calligraphy, and painting. Despite its ancient origins, the guqin has experienced a revival in contemporary times, attracting new generations of musicians and listeners alike, both within China and internationally.

This instrument's significance extends beyond its musical function; it is a cultural icon, embodying the depth of Chinese intellectual and aesthetic traditions. The guqin's music, marked by its elegance, depth, and profound tranquility, continues to be a bridge connecting the past with the present, inviting both players and listeners into a meditative, introspective space that transcends the hustle and bustle of modern life. Through its enduring presence, the guqin remains a testament to the richness of Chinese cultural heritage and its ongoing dialogue with the world.

Teacher Group

JUN HU

Hu Jun serves as the Vice President of the Chinese Guqin Association in Australia. He is a disciple of the Guangling School, a prominent style known for its refined and elegant approach to guqin playing. Often referred to as a "Qin enthusiast" for his deep passion and dedication to the guqin, Hu Jun's playing style is characterized by its scholarly elegance and the clear, harmonious sounds he produces. He is actively engaged in the guqin art scene, frequently visiting and learning from masters of various schools to enhance his own skills and understanding of this ancient musical tradition.

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YING LIU

I graduated with a Bachelor's degree in Percussion from the Sichuan Conservatory of Music, after attending its affiliated secondary school. I began studying percussion at the age of eight under Professor Liu Guangsi from the Central Conservatory of Music. At twelve, I was admitted to the secondary school affiliated with the Sichuan Conservatory of Music, where I studied percussion performance under Professor Bai Yanghong. I have a profound passion for the guqin, having studied and practiced this ancient instrument for over ten years. Currently, I am studying under the renowned young guqin performer and composer, Wei Shengbao.

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